MEDIA
Elinor Popham: Non mi dir - Don Giovanni, Mozart
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Musetta (cover) - La Boheme
Aylesbury Opera
The Court Theatre, Aylesbury
1st - 4th May
Young Artist Audition Recital
Oxford International Song Festival: with Stella Marie Lorenz
Levine Building, Trinity College, Oxford 20th April
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Soloist - Mozart Requiem
London Classical Choir & Orchestra
St. Mary's Church, London
26th November
Violetta (cover) - La Traviata
Instant Opera, Normansfield Theatre, Teddington
6th - 8th October
Sempre libera
Najade - Ariadne auf Naxos
Mycenae House & Touring, Uncovered Opera 2023
Pamina - The Magic Flute
The Abbey Theatre, St. Alban's Chamber Opera 2023
Mme Herz - Der Schauspieldirektor
Royal Academy Scenes 2021
Geraldine - A Hand Of Bridge
Grimeborn Festival 2019
‘As Geraldine, Ellie Popham’s lament on loneliness is especially poignant and vocally sophisticated.’
Edward Bhesania, The Stage
‘Popham’s controlled soprano is surprisingly heart-breaking considering we have known her character all of two minutes.’
Miriam Sallon, The Reviews Hub
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Rosalinda - Die Fledermaus
Opera Warwick 2017
'Meanwhile Ellie Popham showed a nice, wry wit ... and when it came to her set piece as the ‘Hungarian countess’ ... she really turned it on. The tone of her sound in Strauss’ parody of a csárdás gained a spectacular warmth, that beamed out ...as she held the ball guests spellbound. '
Roderick Dunnett - A View from Behind the Arras
‘…the quality of support to the voice and the attractiveness of the tone became most evident ... for Ellie Popham’s feisty Rosalinda. Her amusing dalliance with singing teacher Alfred in Act 1… confirmed the strength of her voice, but it was the Hungarian csárdás delivered in her masked disguise at the ball ... where the full beauty of her tone quality shone through.'
Roderick Dunnett, Seen and Heard International
Photography: OliviaDaCostaPhotography & RobertPiwkoPhotography
Copyright: 2024 Elinor Popham